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	<title>High Concept Media</title>
	<atom:link href="http://www.marketingrevenue.net/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.marketingrevenue.net</link>
	<description>Miami Internet Marketing</description>
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		<title>Copywriting Testimonials</title>
		<link>http://www.marketingrevenue.net/copywriting-testimonials/</link>
		<comments>http://www.marketingrevenue.net/copywriting-testimonials/#comments</comments>
		<pubDate>Thu, 02 Sep 2010 16:31:44 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Testimonials]]></category>
		<category><![CDATA[copywriting]]></category>

		<guid isPermaLink="false">http://www.marketingrevenue.net/?p=591</guid>
		<description><![CDATA[Read what Glenn’s colleagues are saying about his copywriting skills. Working as a copy/design team with Glenn made new and ongoing projects more enticing. His creative outlook on things and his skillful way of writing always hit the mark making assignments more successful. He always tackled new projects with a fresh eye complementing the visuals [...]]]></description>
			<content:encoded><![CDATA[<p>Read what Glenn’s colleagues are saying about his copywriting skills.</p>
<blockquote><p>Working as a copy/design team with Glenn made new and ongoing projects more enticing. His creative outlook on things and his skillful way of writing always hit the mark making assignments more successful. He always tackled new projects with a fresh eye complementing the visuals any designer would present him with. I found working with Glenn a pleasure. Any team to be working along Glenn would be sure to stand out creatively and respectively.”  <em>January 22, 2009</em></p>
<p><strong>Eugene Colon, Graphic designer, The Useful</strong><br />
Worked directly with Glenn  at The Useful</p>
<p>“Glenn is a driven and talented individual. Aside from his professional writing ability, Glenn has trained himself in various other media technologies such as Flash and HTML/CSS. Glenn&#8217;s work ethic is also second to none, as he arrives early and stays late on a daily basis to get the job done and further develop his talents.” <em>January 14, 2009</em></p>
<p><strong>Jason Smith, Creative Services Manager, The Useful</strong><br />
Managed Glenn at The Useful</p>
<p>“Glenn is a talented copy writer who was always the first one in and last one out. He is independently motivated, teaching himself new software programs to assist in areas of need. He showed strong leadership skills through a variety of assignments and proved that there was nothing he wasn&#8217;t willing to try or learn. Glenn will be a positive addition to any team with his strong work ethic and quirky sense of humor.” <em>January 14, 2009</em></p>
<p><strong>Rebecca Crane, Graphic Designer, The Useful</strong><br />
Worked directly with Glenn  at The Useful</p>
<p>“Glenn is a dedicated team player who brings to the job a penchant for clever copywriting, an outside-the-box mindset and a consistently upbeat attitude. His depth of knowledge in the ever-changing Internet marketing industry is a huge asset to any company looking to compete online. It wouldn&#8217;t be fair to recommend Glenn without mentioning his fabulous personality. But keeping things interesting never got in the way of work. It just made working with him that much more enjoyable.” <em>January 9, 2009</em></p>
<p><strong>Lesley Marlo, Managing Editor, The Useful</strong><br />
Managed Glenn  at The Useful</p>
<p>“Glenn is a creative, hard working person. Glenn always brought a positive and lively attitude to work. Working with Glenn was a treat and he makes for a great part of any team.” November 26, 2007</p>
<p><strong>Alejandro Diaz, Senior Graphic Artist / GA Manager, The Useful</strong><br />
Worked with Glenn  at The Useful</p>
<p>“Glenn is a fantastic writer, he works hard, he has a great heart and an outstanding sense of humor. If you&#8217;re looking for someone who will dedicate himself to a greater vision while helping you reach your goals as a department or company, then Glenn Bossik is your man!” <em>November 8, 2007<br />
</em><br />
<strong>Denise Royal, Copy Manager, The Useful</strong><br />
Managed Glenn at TheUseful</p></blockquote>
]]></content:encoded>
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		<item>
		<title>Get Ready for Holographic Video</title>
		<link>http://www.marketingrevenue.net/holographic-video/</link>
		<comments>http://www.marketingrevenue.net/holographic-video/#comments</comments>
		<pubDate>Sat, 21 Aug 2010 22:11:22 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Web Design News]]></category>
		<category><![CDATA[holographic video]]></category>

		<guid isPermaLink="false">http://www.marketingrevenue.net/?p=583</guid>
		<description><![CDATA[I’m sure everyone has seen the resurgence of  interest in 3D. Hollywood is pumping out 3D films at a fairly mean clip. Electronics companies are making 3D TVs. And augmented reality applications such as the FLARToolKit and Layar are bringing three-dimensional imagery to the Internet. But you haven’t seen anything yet. Trust me. The London-based [...]]]></description>
			<content:encoded><![CDATA[<p>I’m sure everyone has seen the resurgence of  interest in 3D. Hollywood is pumping out 3D films at a fairly mean clip. Electronics companies are making 3D TVs. And augmented reality applications such as the <a title="FLARToolKit" href="http://blog.papervision3d.org/2009/01/07/augmented-reality-with-flartoolkit/" target="_blank">FLARToolKi</a>t and <a title="Layar" href="http://www.layar.com/" target="_blank">Layar</a> are bringing three-dimensional imagery to the Internet. But you haven’t seen anything yet. Trust me.</p>
<p>The London-based company, <a title="Dimensional Studios" href="http://www.eyeliner3d.com/" target="_blank">Dimensional Studios Ltd.</a>, has solved the age-old puzzle of how to create 3D imagery without the glasses. Their video projection system, the <a title="Musion Eyeliner System" href="http://www.eyeliner3d.com/musion_eyeliner_mechanics.html" target="_blank">Musion Eyeliner System</a>, turns video footage into holographic footage.</p>
<p>According to Dimensional Studios, the Eyeliner System uses a DLP video projector, an HD hard-disc player, “Musion Eyeliner Foil + 3D set/drapes enclosing 3 sides,” lighting and audio, and a show controller.</p>
<p>If Dimensional Studios’ projection system is integrated into home PCs and laptops, the possibilities for Internet marketing companies and Webmasters will be endless. When a Web user hovers a mouse over a banner ad, the projection unit could be triggered, piping holographic promotional imagery into the home of the user. Wow!</p>
<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="400" height="250" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://vimeo.com/moogaloop.swf?clip_id=7053136&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=1&amp;color=&amp;fullscreen=1&amp;autoplay=0&amp;loop=0" /><embed type="application/x-shockwave-flash" width="400" height="250" src="http://vimeo.com/moogaloop.swf?clip_id=7053136&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=1&amp;color=&amp;fullscreen=1&amp;autoplay=0&amp;loop=0" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<p><a href="http://vimeo.com/7053136">Samsung Jet Launch &#8211; London, Dubai, Singapore &amp; Beijing</a> from <a href="http://vimeo.com/musion">Musion Systems</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<blockquote><p>Keep your marketing on the cutting edge. <a href="http://www.marketingrevenue.net/contact-marketing/" target="_self"><strong>Launch your next ad campaign through High Concept Media.</strong></a></p></blockquote>
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		<title>How to Boost Subscription Sales</title>
		<link>http://www.marketingrevenue.net/how-to-boost-subscription-sales/</link>
		<comments>http://www.marketingrevenue.net/how-to-boost-subscription-sales/#comments</comments>
		<pubDate>Tue, 10 Aug 2010 20:28:56 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Web Design News]]></category>
		<category><![CDATA[subscription websites]]></category>

		<guid isPermaLink="false">http://www.marketingrevenue.net/?p=580</guid>
		<description><![CDATA[There’s a little-known method that Webmasters can use to increase the conversion rate for their subscription sites. It doesn’t involve using video tours. It doesn’t even involve using faster loading pages. The method I’m referring to is a tour on how to place an order. This tour shows consumers how to fill out your order [...]]]></description>
			<content:encoded><![CDATA[<p>There’s a little-known method that Webmasters can use to increase the conversion rate for their subscription sites. It doesn’t involve using video tours. It doesn’t even involve using faster loading pages.</p>
<p>The method I’m referring to is a tour on how to place an order. This tour shows consumers how to fill out your order form, how to input their credit card information, how to choose a username and password, and how to get help if needed.</p>
<p>Showing screenshots of the order process is a great way to assuage the fears of your prospective customers. They’ll feel more secure if they know that they can complete the order process successfully. Believe it or not, people are often intimated by this process. They wonder if something will go wrong.</p>
<p>So, help your customers with this simple tour. The result will be more revenue for you.</p>
]]></content:encoded>
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		<title>Understanding Social Media Marketing</title>
		<link>http://www.marketingrevenue.net/understanding-social-media-marketing/</link>
		<comments>http://www.marketingrevenue.net/understanding-social-media-marketing/#comments</comments>
		<pubDate>Tue, 10 Aug 2010 20:25:44 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Affiliate Marketing News]]></category>
		<category><![CDATA[social media marketing]]></category>

		<guid isPermaLink="false">http://www.marketingrevenue.net/?p=577</guid>
		<description><![CDATA[Understanding how groups of people interact with each other and disseminate information to each other is the key to leveraging the power of social media marketing. On social networks, people often interact with each other to share ideas about how to solve problems. If your particular product or service happens to provide a solution to [...]]]></description>
			<content:encoded><![CDATA[<p>Understanding how groups of people interact with each other and disseminate information to each other is the key to leveraging the power of social media marketing.</p>
<p>On social networks, people often interact with each other to share ideas about how to solve problems. If your particular product or service happens to provide a solution to an ongoing problem, that will give you an opening for mentioning it.</p>
<p>When you think about it, the Internet is a problem-solving tool. When Web users type search queries into the major portals like Google and Yahoo, they&#8217;re invariably looking for a solution to a problem. Why? Because life is conflict. Conflict is what ties all information together and makes it relevant.</p>
]]></content:encoded>
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		<title>Leveraging the Power of Pay-Per-Click</title>
		<link>http://www.marketingrevenue.net/leveraging-the-power-of-pay-per-click/</link>
		<comments>http://www.marketingrevenue.net/leveraging-the-power-of-pay-per-click/#comments</comments>
		<pubDate>Tue, 10 Aug 2010 20:17:42 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Search Engine Marketing News]]></category>
		<category><![CDATA[pay-per-click]]></category>

		<guid isPermaLink="false">http://www.marketingrevenue.net/?p=572</guid>
		<description><![CDATA[If you own an online store or subscription site, you probably run pay-per-click ad campaigns. Whether you use Google AdWords, Yahoo Search Marketing, or another PPC network, it&#8217;s an everyday battle to get a positive return on investment in such a tight economy. In order to avoid bidding wars and reach interested consumers, you must [...]]]></description>
			<content:encoded><![CDATA[<p>If you own an online store or subscription site, you probably run pay-per-click ad campaigns. Whether you use Google AdWords, Yahoo Search Marketing, or another PPC network, it&#8217;s an everyday battle to get a positive return on investment in such a tight economy.</p>
<p>In order to avoid bidding wars and reach interested consumers, you must boost the relevance of your ads and landing pages. How can you do so? Solve a problem for consumers.</p>
<p>I&#8217;m sure you&#8217;re asking yourself how a Web site can solve a problem. Well, psychologically, the average consumer moves toward pleasure as a way to avoid pain. These days, the number one source of pain involves either fear of losing a job or fear of not being able to get another one.</p>
<p>You must offer consumers an escape from that pain. In fact, you must tell them directly that your site will help them forget their troubles. During the Great Depression, people flocked to movie theaters to escape the despair of the 1930s.</p>
<p>The ad copy in your PPC ads must define your site as an escape, a fantasy world. Your landing page must, too. This will help you garner more interest from consumers and find lower-priced keywords.</p>
]]></content:encoded>
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		<item>
		<title>Ryan and Schwarz</title>
		<link>http://www.marketingrevenue.net/ryan-and-schwarz/</link>
		<comments>http://www.marketingrevenue.net/ryan-and-schwarz/#comments</comments>
		<pubDate>Mon, 26 Jul 2010 15:26:12 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Web Design Samples]]></category>
		<category><![CDATA[law firm]]></category>

		<guid isPermaLink="false">http://www.marketingrevenue.net/?p=567</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.marketingrevenue.net/wp-content/uploads/2010/07/nylawoffice.jpg"><img class="alignnone size-full wp-image-568" title="Ryan and Schwarz" src="http://www.marketingrevenue.net/wp-content/uploads/2010/07/nylawoffice.jpg" alt="" width="590" height="714" /></a></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Tree Text Effect</title>
		<link>http://www.marketingrevenue.net/tree-text-effect/</link>
		<comments>http://www.marketingrevenue.net/tree-text-effect/#comments</comments>
		<pubDate>Fri, 21 May 2010 04:51:50 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Graphics]]></category>
		<category><![CDATA[Photoshop]]></category>
		<category><![CDATA[Web Design News]]></category>
		<category><![CDATA[text effect]]></category>

		<guid isPermaLink="false">http://www.marketingrevenue.net/?p=559</guid>
		<description><![CDATA[To create text resembling foliage, I used three transparent Photoshop layers. I applied an assortment of layer styles to each layer and added leaf-like shapes to each letter of my text with the Custom Shape Tool. Click here for the full-sized image. Click here for the full-sized image.]]></description>
			<content:encoded><![CDATA[<p>To create text resembling foliage, I used three transparent Photoshop layers. I applied an assortment of layer styles to each layer and added leaf-like shapes to each letter of my text with the Custom Shape Tool.</p>
<p><strong><a href="http://www.marketingrevenue.net/wp-content/uploads/2010/05/trees.jpg" target="_blank">Click here for the full-sized image</a></strong>.</p>
<p><a href="http://www.marketingrevenue.net/wp-content/uploads/2010/05/trees-small.jpg"><img class="alignnone size-full wp-image-561" title="Leaf Text Effect" src="http://www.marketingrevenue.net/wp-content/uploads/2010/05/trees-small.jpg" alt="" width="591" height="307" /></a></p>
<p><strong><a href="http://www.marketingrevenue.net/wp-content/uploads/2010/05/trees.jpg" target="_blank">Click here for the full-sized image</a></strong>.</p>
]]></content:encoded>
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		<item>
		<title>Camouflage Type Effect</title>
		<link>http://www.marketingrevenue.net/camouflage-type-effect/</link>
		<comments>http://www.marketingrevenue.net/camouflage-type-effect/#comments</comments>
		<pubDate>Fri, 23 Apr 2010 23:02:09 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Graphics]]></category>
		<category><![CDATA[Photoshop]]></category>
		<category><![CDATA[Web Design News]]></category>
		<category><![CDATA[typography]]></category>

		<guid isPermaLink="false">http://www.marketingrevenue.net/?p=527</guid>
		<description><![CDATA[Reproduce the look favored by hunters, sports enthusiasts, and military aficionados. Experience the Camouflage Type Effect. Two versions of this Photoshop layer style are provided: a Web version and a print version. For your convenience, all the letters of the alphabet have been created in camouflage for the Web version of this text effect. In [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.marketingrevenue.net/wp-content/uploads/2010/04/promo-image2.jpg"><img class="alignnone size-full wp-image-543" title="Camouflage Typography" src="http://www.marketingrevenue.net/wp-content/uploads/2010/04/promo-image2.jpg" alt="" width="590" height="1733" /></a></p>
<p>Reproduce the look favored by hunters, sports enthusiasts, and military aficionados. Experience the Camouflage Type Effect. Two versions of this Photoshop layer style are provided: a Web version and a print version.</p>
<p>For your convenience, all the letters of the alphabet have been created in camouflage for the Web version of this <strong><em>text effect</em>.</strong> In addition, the camouflage alphabet is supplied in uppercase and lowercase letters, as well as in the following font sizes: 252 pt, 186 pt, 128 pt, and 96 pt.</p>
<p>The camouflage print version is a 300-dpi file that uses the CMYK color mode and includes three camouflage letters in each of the following font sizes: 128 pt, 96 pt, 72 pt, 60 pt, and 48 pt. <em>Creating additional letters</em> is as <em>easy</em> as duplicating both layers of a letter and typing over them.</p>
<p>The font used for this layer style is Franklin Gothic Demi Condensed, but it also looks good with other fonts.</p>
<p><strong>Price: </strong>$12<br />
<strong>File Types Included: </strong>Layered PSD and ASL<strong><br />
Resolution: </strong>72 dpi and 300 dpi</p>
<p><span style="color: #0000ff;">Purchases: 15</span></p>
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		<item>
		<title>License Agreement</title>
		<link>http://www.marketingrevenue.net/license-agreement/</link>
		<comments>http://www.marketingrevenue.net/license-agreement/#comments</comments>
		<pubDate>Tue, 13 Apr 2010 20:58:16 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Licensing Terms]]></category>
		<category><![CDATA[license agreement]]></category>

		<guid isPermaLink="false">http://www.marketingrevenue.net/?p=510</guid>
		<description><![CDATA[COPYRIGHT LICENSE AGREEMENT (ARTWORK) This Copyright License Agreement (the “Agreement”) is entered into as of the date on which the Artwork is purchased (the “Effective Date”) by and between High Concept Media, LLC (the “Licensor”), and the customer (the “Licensee,” and together with Licensor, each a “Party” and collectively the “Parties”). RECITALS WHEREAS, the Licensor [...]]]></description>
			<content:encoded><![CDATA[<p>COPYRIGHT LICENSE AGREEMENT (ARTWORK)</p>
<p>This Copyright License Agreement (the “Agreement”) is entered into as of the date on which the Artwork is purchased (the “Effective Date”) by and between High Concept Media, LLC (the “Licensor”), and the customer (the “Licensee,” and together with Licensor, each a “Party” and collectively the “Parties”).</p>
<p>RECITALS</p>
<p>WHEREAS, the Licensor owns all rights in and to the Artwork and retains all rights to the Artwork that are not transferred herein, and retains all common law copyrights and all federal copyrights that have been, or that may be granted by the Library of Congress; and</p>
<p>WHEREAS, the Licensor has the [exclusive] right to license others to produce, copy, make, or sell the Artwork;</p>
<p>WHEREAS, the Licensee wants to obtain, and the Licensor has agreed to grant, a license authorizing the use of the Artwork [in the preparation of one or more Collective Works and/or Derivative Works (as defined below)] by the Licensee subject to the terms and conditions of this Agreement; and</p>
<p>WHEREAS, each Party is duly authorized and capable of entering into this Agreement.</p>
<p>NOW THEREFORE, in consideration of the above recitals and the mutual promises and benefits contained herein, and for other good and valuable consideration, the receipt and sufficiency of which is hereby acknowledged, the Parties hereby agree as follows:</p>
<p>1.    GRANT OF LICENSE.</p>
<p>Effective as of the Effective Date and subject to the terms and conditions of this Agreement, the Licensor hereby grants to the Licensee, and the Licensee hereby accepts, a non-exclusive, non-transferable license to exercise the rights in the Artwork, in any and all media (including but not limited to electronic, print, video, and any other technology now known or that may be developed in the future), as follows:</p>
<p>(a)    to publish the Artwork, to reproduce the Artwork, to incorporate the Artwork into one or more Collective Works (as defined below), and to reproduce the Artwork as incorporated in the Collective Works. “Collective Works” shall mean any work, including periodical issues, anthologies, or encyclopedias, in which the entire unmodified Artwork is assembled with other contributions, each constituting separate and independent works in themselves, into a collective whole;</p>
<p>(b)    to create and reproduce Derivative Works. “Derivative Works” shall mean any work based on the Artwork, or on the Artwork and other preexisting works, including motion picture versions, art reproductions, condensations, or any other form in which the Artwork may be recast, transformed, or adapted; provided, however, that a work constituting a Collective Work shall not be considered a Derivative Work under this Agreement;</p>
<p>(c)    to distribute copies of, display publicly, or use in any advertising the Artwork (including as incorporated in Collective Works); and</p>
<p>(d)    to distribute copies of, display publicly, perform publicly, or use in any advertising any Derivative Works.</p>
<p>The Licensee shall make no other use of the Artwork.</p>
<p>2.    NO ASSIGNMENT OR TRANSFER.</p>
<p>The Licensee hereby acknowledges and agrees that the rights granted to the Licensee by and obtained by the Licensee as a result of or in connection with this Agreement are license rights only and that nothing contained in this Agreement constitutes or shall be construed to be an assignment or exclusive license of any or all of the Licensor’s rights in the Artwork. The Licensor retains ownership of the copyright in the Artwork, and all rights not expressly granted in this Agreement.</p>
<p>3.    RESTRICTIONS.</p>
<p>The license granted in Section 1 above is expressly made subject to and limited by the following restrictions:</p>
<p>(a)    Limited Use. This permissions granted to the Licensee under this Agreement apply only to the uses and purposes stated herein and the Licensee may distribute, publicly display, or use in any advertising the Artwork only under the terms of this Agreement. The Licensee may not sublicense the Artwork. Any use that is inconsistent with the limited license provided hereunder shall be a violation of the Licensor’s copyright and subject to copyright law.</p>
<p>(b)    Modification. The Licensee can modify or display the Artwork but cannot license, sublicense, transfer, assign, rent, sell, or otherwise convey the Artwork obtained from the Licensor in any way not specifically granted in Section 1 above without the prior written consent of the Licensor.</p>
<p>(c)    Limitations on Transfer. The permission hereby granted is not transferable, not exclusive, and applies only to Artwork controlled by the Licensor and not to any artwork reproduced or incorporated by the artist in such Artwork.</p>
<p>4.    FEES.</p>
<p>Flat Fee</p>
<p>On the date on which the Artwork is purchased by the Licensee, the Licensee shall pay the Licensor the one-time fee listed on the Artwork purchase page in consideration for the rights of the Licensee in and to the Artwork granted under this Agreement.</p>
<p>5.    DELIVERY OF ARTWORK.</p>
<p>The Licensor will provide an electronic version of the Artwork from which the Licensee can produce the Artwork for the purposes described herein.</p>
<p>6.    OWNERSHIP AND USE OF ARTWORK.</p>
<p>(a)    Ownership of Artwork. The Licensee hereby acknowledges that the Licensor is the owner of the Artwork and of all associated federal registrations and pending registrations, and the Licensee shall do nothing inconsistent with such ownership. The Licensee further agrees that it will not claim ownership rights to the Artwork, or any derivative, compilation, sequel or series, or related work owned by or used by the Licensor. The Licensee agrees that nothing in this Agreement shall give the Licensee any right, title, or interest in the Artwork other than the right to use the same in accordance with this Agreement.</p>
<p>(b)    Validity of Registrations. The Licensee hereby admits the validity of all copyrights for the Artwork and all associated registrations and acknowledges that any and all rights that might be acquired by the Licensee because of its use of the Artwork shall inure to the sole benefit of the Licensor; provided, however, that this subsection (b) shall not entitle the Licensor to all or any portion of the profits or revenues from the Licensee’s permitted uses hereunder, except for the fees described in Section 4 above.</p>
<p>(c)    Limitation on Licensee’s Actions. The Licensee agrees that it will not do anything inconsistent with the Licensor’s ownership of the Artwork, and will not claim adversely to the Licensor, or assist any third party in attempting to claim adversely to the Licensor, with regards to such ownership. The Licensee further agrees that it will not challenge the Licensor’s title to the Artwork, oppose any registration or re-registrations thereof, or challenge the validity of this Agreement or the grants provided herein or hereunder.</p>
<p>7.    REPRESENTATIONS AND WARRANTIES.</p>
<p>(a)    The Parties each represent and warrant as follows:</p>
<p>A.    Each Party has full power, authority, and right to perform its obligations under the Agreement.</p>
<p>B.    This Agreement is a legal, valid, and binding obligation of each Party, enforceable against it in accordance with its terms (except as may be limited by bankruptcy, insolvency, moratorium, or similar laws affecting creditors’ rights generally and equitable remedies).</p>
<p>C.    Entering into this Agreement will not violate the charter or bylaws of either Party or any Artwork contract to which that Party is also a party.</p>
<p>(b)    The Licensor hereby represents and warrants as follows:</p>
<p>A.    It is the sole owner of all right, title, and interest in and to the Artwork;</p>
<p>B.    It has the right to grant permission for use of the Artwork as specified in this Agreement;</p>
<p>C.    the Artwork is original, is not in the public domain, and does not contain anything that is obscene;</p>
<p>D.    It has not assigned, transferred, exclusively licensed, pledged, or otherwise encumbered the Artwork or agreed to do so;</p>
<p>E.    It is not aware of any violation, infringement, or misappropriation of any third party’s rights or any claims of rights (including existing intellectual property rights, rights of privacy, or any other rights) by the Artwork;</p>
<p>F.    It is not aware of any third-party consents, assignments, or licenses that are necessary to perform under this Agreement; and</p>
<p>G.    It was not acting within the scope of employment of any third party when conceiving, creating, or otherwise performing any activity with respect to the Artwork purportedly licensed in Section 1.</p>
<p>8.    DOCUMENTATION.</p>
<p>a.    Recordation of Agreement. The Licensor will, as soon as is reasonably possible following a request from the Licensee, provide the Licensee with a complete copy of all documentation (in any format) relating to the Artwork for the Licensee’s own use, to meet record-keeping requirements of the Licensee, or to allow the Licensee to exercise its rights granted pursuant to this Agreement. The Licensor will also, on request:</p>
<p>i.    execute and deliver, or cause to be executed and delivered, to the Licensee any additional papers, including any separate licenses of the Artwork, reasonably necessary to record the license in the United States [and throughout the world]; and</p>
<p>ii.    generally do all other lawful acts reasonable and necessary to record the Agreement in the United States [and throughout the world].</p>
<p>9.    INDEMNIFICATION.</p>
<p>In the event that the Artwork infringes on any United States copyright of a third party not affiliated with the Licensee, the Licensor shall indemnify the Licensee against such claim; provided that all of the following are true:</p>
<p>(a)    the Licensee promptly gives notice of any such claim to the Licensor;</p>
<p>(b)     the Licensor controls the defense and settlement of such claim;</p>
<p>(c)     the Licensee fully cooperates with the Licensor in connection with its defense and settlement of such claim;</p>
<p>(d)     the Licensee stops all sales, distribution, and public use of or relating to the infringing Artwork, including as necessary any Collective Works or Derivative Works, if requested by the Licensor.</p>
<p>If the Licensee is enjoined from further use of any infringing Artwork or if the Licensee stops using any of the Artwork (including as necessary any Collective Works or Derivative Works) pursuant to the Licensor’s request (as described in (d) above), the Licensor shall, at its own expense and option:</p>
<p>(a)    obtain the right for the Licensee to continue to use the infringing Artwork;</p>
<p>(b)    modify the infringing Artwork to eliminate such infringement (if practicable); or</p>
<p>(c)    refund the amount paid under this Agreement for the infringing Artwork to the Licensee, on such terms and conditions as the Parties may thereafter agree.</p>
<p>The Licensor shall have no other obligations or liability if infringement occurs, and shall have no other obligation of indemnification or to defend or hold harmless relating to infringement. The Licensor shall not be liable for any costs or expenses incurred without its prior written authorization and shall have no obligation of indemnification or any liability whatsoever if the infringement is based on (i) any altered, changed, or modified form of the Artwork not made by the Licensor or (ii) the laws of any country other than the United States of America or its states.</p>
<p>10.    TERMINATION.</p>
<p>(a)    Termination Procedures The Agreement will terminate immediately, without notice, if:</p>
<p>(1)    before publication, the Licensee has not complied with the provisions of this Agreement;</p>
<p>(2)    the Licensee attempts to assign, sublicense, transfer, or otherwise convey, without obtaining the Licensor’s prior written consent, any of the rights granted to the Licensee by or in connection with this Agreement;</p>
<p>(3)    the Licensee uses the Artwork in a manner not expressly permitted by this Agreement;</p>
<p>(b)    Effect of Termination. All rights granted by this Agreement including, without limitation, the Licensee’s right to use the Artwork, shall end on termination of this Agreement. On termination of this Agreement, the Licensee agrees [as soon as is commercial feasible] to promptly discontinue all use of the reproduced Artwork, any Collective Work, or any Derivative Work and to refrain from further reproduction, publishing, and distributing of such reproduced Artwork, Collective Work, or Derivative Work. Notwithstanding the foregoing, the Licensee shall have the right to fill existing orders and sell off existing copies of the reproduced Artwork, Collective Work, or Derivative Work then in stock; provided, however, the sell-off period shall not exceed 6 months from the date of termination [; provided further, however, that any such sales of reprinted Artwork, Collective Work, or Derivative Work shall constitute Gross Sales]. The Licensor shall have the right to verify the existence and validity of the existing orders and existing copies of the reproduced Artwork, Collective Work, or Derivative Work then in stock on reasonable notice to the Licensee.</p>
<p>11.    SUCCESSORS AND ASSIGNS.</p>
<p>All references in this Agreement to the Parties shall be deemed to include, as applicable, a reference to their respective successors and assigns. The provisions of this Agreement shall be binding upon and shall inure to the benefit of the successors and assigns of the Parties.</p>
<p>12.    NO IMPLIED WAIVER.</p>
<p>The failure of either Party to insist on strict performance of any covenant or obligation under this Agreement, regardless of the length of time for which such failure continues, shall not be deemed a waiver of such Party’s right to demand strict compliance in the future. No consent or waiver, express or implied, to or of any breach or default in the performance of any obligation under this Agreement shall constitute a consent or waiver to or of any other breach or default in the performance of the same or any other obligation.</p>
<p>13.    NO AGENCY RELATIONSHIP.</p>
<p>This Agreement creates a licensor-licensee relationship between the Parties. Nothing in this Agreement shall be construed to establish a joint venture, agency, or partnership relationship between the Parties.</p>
<p>14.    NOTICE.</p>
<p>Any notice or other communication provided for herein or given hereunder to a Party hereto shall be in writing and shall be given in person, by overnight courier, or by mail (registered or certified mail, postage prepaid, return receipt requested) to the respective Party as follows:</p>
<p>If to the Licensor:<br />
High Concept Media, LLC<br />
200 Scotia Dr., Unit 205<br />
Hypoluxo, FL 33462</p>
<p>15.    GOVERNING LAW.</p>
<p>This Agreement shall be governed by the laws of the state of Florida.  In the event that litigation results from or arises out of this Agreement or the performance thereof, the Parties agree to reimburse the prevailing Party’s reasonable attorneys’ fees, court costs, and all other expenses, whether or not taxable by the court as costs, in addition to any other relief to which the prevailing Party may be entitled.</p>
<p>16.    COUNTERPARTS/ELECTRONIC SIGNATURES.</p>
<p>This Agreement may be executed in one or more counterparts, each of which shall be deemed an original but all of which shall constitute one and the same instrument. For purposes of this Agreement, purchase of the Artwork on www.marketingrevenue.net  shall have the same force and effect as an original signature.</p>
<p>17.    SEVERABILITY.</p>
<p>Whenever possible, each provision of this Agreement, will be interpreted in such manner as to be effective and valid under applicable law, but if any provision of this Agreement is held to be invalid, illegal, or unenforceable in any respect under any applicable law or rule in any jurisdiction, such invalidity, illegality, or unenforceability will not affect any other provision or any other jurisdiction, but this Agreement will be reformed, construed, and enforced in such jurisdiction as if such invalid, illegal, or unenforceable provisions had never been contained herein.</p>
<p>18.    ENTIRE AGREEMENT.</p>
<p>This Agreement constitutes the final, complete, and exclusive statement of the agreement of the Parties with respect to the subject matter hereof, and supersedes any and all other prior and contemporaneous agreements and understandings, both written and oral, between the Parties.</p>
<p>19.    HEADINGS.</p>
<p>Headings used in this Agreement are provided for convenience only and shall not be used to construe meaning or intent.</p>
<p>IN WITNESS WHEREOF, the Parties have executed this Agreement as of the date on which the Artwork is purchased by the Licensee.</p>
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		<title>Laptop Incentive</title>
		<link>http://www.marketingrevenue.net/laptop-incentive/</link>
		<comments>http://www.marketingrevenue.net/laptop-incentive/#comments</comments>
		<pubDate>Fri, 02 Apr 2010 19:19:02 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Web Design Samples]]></category>
		<category><![CDATA[laptop incentive]]></category>

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